Super Sons #1 is fun and entertaining and is exactly the kind of comic that you want you to read when you need a break from the world-ending, super-serious books that we’ve become accustomed to as of late. Super Sons is going to be the book that you look forward to—the book that you save for last so that you can finish the day’s reading with a smile on your face.
American Gods is shocking and disconcerting and so very intricate and compelling. It may even be one of those cases where it exceeds the source material in every way. This is a must see for anyone interested in the suspenseful and chilling whether you are familiar with the material or not.
I refer to my age quite often here, but I assure you that I only do so for good reason…and I’m about to do it again, so…As a self-proclaimed 90’s Kid, certain films that I watched on VHS tape as a child had a lasting effect on me. One of these films was Dick Tracy The Shadow. Sure, this Alec Baldwin flick wasn’t a masterpiece of modern cinema or anything like that, but when five-year-old Charlie (me) saw it, he thought that it was freakin’ sweet. Thus, when I spotted Batman/The Shadow #1 waiting for me in my inbox, I couldn’t wait to begin reading.
If you’re the type of fan that will be disappointed that there’s no “S&M kinkiness” or that her armor is red, gold, and blue instead of red, white and blue, as David Edelstein of Vulture seems to think some of you might be, then stay home. There’s more than enough skin shown to cause drooling over Gadot’s beauty, and not everything has to be drenched in “America,” and honesty, a golden color make way more sense than white for armor inspired by the ancient Greeks.
Wrapped in a package of humor and action, the message of family being more than just blood shines bright as the overall theme. The insight into why people do what they do, even when it seem to be in direct opposition to what they truly want, gives depth to a set of characters so diverse anybody can find one to identify with.
The Belfry #1is delightfully disorientating; violence is coupled perfectly with fear, and the varying panel sizes and shapes, as well as the interesting layouts, work together to pull the reader deeper and deeper into the book, until finally he/she reaches the bottom of the pit, and at that point, is at Hardman’s mercy.
Although it may not come across on the first read, Red Hood and the Outlaws #7 is deep and wonderfully complex. Despite the plot of this issue being relatively stripped down, the focus that is placed not only on Bizarro, but also on Jason and his relationship with the big grey dimwit is fantastic.